- Free Monologues for Acting Auditions - For Men, Women, and Kids | Ace Your Audition
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- 9 Monologue Plays on Broadway Everyone Should Know
- Find Your Monologue Below!
Recommended Reading for Girls by Ellen Struve. Game of Tiaras one-act by Don Zolidis.
Free Monologues for Acting Auditions - For Men, Women, and Kids | Ace Your Audition
A Simpler Time by Jonathan Dorf. The Bullying Collection by E. Peter Pan and Wendy adapted by Doug Rand.
Sign In x Returning Customers. Don't have an account? Forgot Password x. Forgot Password. There's the respect That makes calamity of so long life. There is also a famous monologue in the movie "Jaws": You know the thing about a shark, he's got lifeless eyes. Strangelove JFK Mr. Caudle's Umbrella Mrs. See similar articles.
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YourDictionary definition and usage example. Link to this page. Monologue Examples. In YourDictionary.
Don't do a monologue from a production you've performed. Meryl Shaw says, "Using a piece from a production you've performed is challenging.
You need to start all over again, and the monologue needs to become its own mini-play, as opposed to a moment in time in a larger arc. I discourage this choice; it's often hard to override the memory cells! Don't do a self-written monologue, a stand-alone piece or a piece that's not from dramatic literature.
Yes, that includes sonnets. We know you believe your solo performance or the sonnet with which you won state speech and debate senior year is the one exception, but it's really not. These pieces are just beside the point for us.source
9 Monologue Plays on Broadway Everyone Should Know
They don't give us the information we need to make our decisions, even if you crush them. It's like trying to audition for a new rap musical by performing "Singin' in the Rain. Additionally, a lot of monologue books are filled with poorly written stand-alone pieces written by acting coaches. Choose a well-written piece from a play, and be sure to read the play as part of your prep work.
Find Your Monologue Below!
Unless you are truly expert, maintaining an accent takes a certain percentage of your attention away from your acting and redirects it to accent maintenance. If the role for which you're auditioning doesn't call for it, there's no need to keep that plate spinning along with every other plate you're spinning.
Accents are not impressive in and of themselves especially that generic "Southern" accent that has no connection to any real region in the South , so don't fall into the trap of thinking showcasing that skill will make you stand out. Meryl Shaw says, "Only do dialect as your second piece. We want to hear your more 'natural' voice. Choose pieces that have a clear arc. Don't choose pieces that are one note. There's nothing that ruins an audition more efficiently than delivering a monologue that's one long, shouted, angry rant or nonstop weeping.
Neither yelling nor crying are impressive as such, so don't choose work based on showcasing either. Josh Costello says, "Choose a monologue that gives you the opportunity to show off your skill with transitions, beat changes, those moments in which the tactic you've been playing in pursuit of your objective either fails, in which case you have to switch to a new tactic, or succeeds, in which case you move on to the next tactic.
Transitions are where good acting happens, and if you don't have a couple of good ones in your monologue, then we can't tell that you're a good actor. Don't choose pieces that are full of graphic violence, sex or offensive language. Remember that an audition is, after all, a job interview.